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International communication is the name given to a field of inquiry that includes the study of various forms of interaction globally, including global communication via mass media, cross-cultural communication, and telecommunications policy. Therefore, by its very nature, international communication is an interdisciplinary field of study, utilizing concepts, research methods, and data from areas as diverse as political science, sociology, economics, literature, and history. The field has two broad dimensions: (1) policy studies and (2) cultural studies. Policy studies refers to the analysis of how the actions of governance entities (such as governments and intergovernmental organizations) influence the nature of international communication. The cultural studies approach to international communication examines the relationship between culture and international communication. However, finding a definition of international communication on which there has been wide agreement among academic journals and scholarly associations—the entities that usually have the most power in defining fields and disciplines—has been elusive. Indeed, the Journal of International Communication acknowledged in 2008 that what it considers international communication often goes by different names and that a number of academic fields study “global communication.”

This entry defines theories of international communication as macro hypotheses about how best to understand global communicative relationships. This approach includes, for example, theories of internationalism and cultural imperialism, but it would not include theories of regional media systems or models of press freedom.

All paradigms in international communication place varying degrees of emphasis on three elements: (1) actors, (2) technology, and (3) modes of production.

Elements

Theory making in international communication borrows heavily from academic disciplines outside communication. The paradigms that place greatest emphasis on actors must rely on the field of international relations for their basic ideas about what exactly constitute the international—the actors whose relationships are being theorized. It is on “natural” science fields, such as engineering and computer science, that technologically deterministic paradigms in international communication have relied for their assumptions about the past, present, and future. Similarly, economics and the study of political economy have had a profound impact on how scholars have theorized the configuration of international communication.

Actors

Embedded in the very term international communication is the assumption that the nation-state is the primary actor in global interactions. This is derived from the fact that the Westphalia states system (nation-state sovereignty) is the basis of the contemporary international political order. This system assumes that states are the primary actors and that the principle of state sovereignty is sacrosanct. The international is, therefore, an arena dominated by states that are the primary sources of agency. Less rigorous theories of international communication are built on this assumption. Therefore, theories of international communication in these paradigms are essentially theories of how states interact with each other. Even when the principle of state sovereignty and agency is complicated by the presence of significant transnational players, such as transnational corporations, these players are still assumed to be appendages of the states that are the only actors with the legitimacy to create the domestic and international laws that control the behavior of these other actors. Postmodern approaches to international communication have had a more thorough engagement with this question of what exactly constitutes the international, and they have been less eager to use the state as the starting point for theory building in international communication.

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