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Freedom Songs

Freedom songs are a corpus of songs that were used during the civil rights movement of the 1960s and afterward as a unifying force in the African American struggle for freedom and human rights. The use of music in the fight for freedom was evidenced throughout the history of Africans in the Americas, particularly in the songs known as spirituals. But as a specific group of songs, freedom songs refer to the songs that were sung at sit-ins, mass meetings, prayer vigils, protest marches, boycotts, rallies, freedom rides, picket lines, courthouses, and jails. The first documented and identified body of freedom songs came from the student sit-in organizers in North Carolina, South Carolina, and Tennessee.

Freedom songs are songs of protest and selfassertion, inspiration and encouragement. Through the freedom songs, disenfranchised African Americans have been able to respond courageously to injustices and comment boldly on events in their struggle for civil rights. In essence, the freedom songs were tools for survival that drew together people of differing backgrounds and experiences in a centralized struggle for human rights.

The majority of the freedom songs were adapted from the wellspring of African American musical styles that were rooted in African cultural traditions. Most of the songs and styles of singing were based on spirituals, gospel songs, and hymns. The original meanings of the older spirituals, messages of justice and liberation, were relevant to the latest circumstances. In many of the older texts, pronouns were changed from first-person singular to first-person plural, fostering the sense of community and group solidarity. The repertoire of songs was expanded to include many popular African American musical forms and singing techniques of the 1960s (e.g., rhythm and blues). Melodies were retained, song texts were modified, and old and new styles were blended to create the freedom songs that captured the verve and potency of the movement.

The Meaning and History of Songs of Protest

The singing of a particular freedom song usually lasted for extended periods during sit-ins and marches. As a result, new verses were composed not only to fill up the time but also to express the complexity of the dissent and protest against oppression. At some times, individuals inspired by an event or a testimony composed new verses, and at other times, verses evolved spontaneously out of the group experience. The counteractions of song and protest resulted in a new energy that propelled the group into further committed resistance. The freedom songs that surfaced in the midst of protest can be divided into two basic categories: group participation songs and professionally composed songs.

The group participation songs were often versions of existing songs that were improvised, with the help of a song leader, by groups engaged in civil rights activities. As the civil rights movement gained momentum in a community, local song leaders would join in the crusade. The song leaders performed in a variety of styles as they learned the songs of the organizers, added to them, and sorted through songs in the traditional repertoire to find songs that encapsulated the feelings of the current struggle and the local sentiment. At mass meetings in rural counties of Southwest Georgia, for example, song leaders used the lining-out hymns and call-and-response songs of that area as the basic repertoire. Sometimes the older songs were sung without change, and sometimes words were changed to identify and authenticate a specific local incident or event. An ideal mass meeting would combine songs from the standard freedom song repertoire, unchanged in song form and text, with songs modified and updated by recent events.

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