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Visual Communications
Visual Communications (VC) is the oldest community-based Asian Pacific American media arts organization in the United States. VC remains a pioneer in the development of Asian Pacific American film, media, and video. Founders Duane Kubo, Robert Nakamura, Alan Ohashi, and Eddie Wong established VC in Los Angeles in 1970 through its inaugural 72-cube traveling photographic exhibit, America's Concentration Camps, about the Japanese American internment during World War II. A number of the founding members were students in the University of California Los Angeles's (UCLA's) EthnoCommunications Program, where they made their first films while advocating for Asian American studies. The four envisioned VC to be a filmmakers' collective seeking to rerepresent the history and culture of Asian Pacific Americans, use media for social change, and training of future generations of Asian Pacific American filmmakers. A core group of artists, filmmakers, photographers, and educators sought to build greater consciousness of Asian Pacific American history through media arts and visual resources. They created educational kits, photographed community events, audiotaped stories, and collected historical images of Asian American life. Transitioning from producing posters, leaflets, and photographs for Asian American community organizations, members sought to realize their larger goal of effective, sustained social and cultural change by incorporating as an independent nonprofit organization in 1971.
VC is the premier Asian Pacific media arts center in the United States. It is dedicated to the honest and accurate portrayals of the Asian Pacific American peoples, communities, and heritage through the media arts. VC's mission is to promote intercultural understanding through the creation, presentation, preservation, and support of media works by and about Asian Pacific Americans. VC was created with the understanding that media and the arts are important vehicles to organize and empower communities, build connections between generations, challenge perspectives, and create an environment for critical thinking necessary to build a more just and humane society.
Located in the historic Union Center for the Arts in Little Tokyo, Los Angeles, VC is home to one of the largest Asian Pacific American photographic and moving image archives. It is recognized as one of the nation's most comprehensive repositories of 20th-century Asian Pacific American history with unique holdings in historical still and moving images and oral histories. The archives include more than 300,000 photographic images, 1,500 titles in the media resource library, 100 films and videos produced by VC, and more than 1,000 hours of oral histories. The collection contains images of VC since the organization's founding in 1970, documenting various Asian American social movements and communities in California. Members of VC not only captured the impassioned times of the movement, but their work became an innovative and natural part of the movement.
Film and Video
Since its inception, VC has produced films and videos used for education and organizing work. This first period of production in the 1970s yielded more than 50 films and videos as well as several educational filmstrips. In 1980, VC helped produce the first ever full-length Asian American film Hito Hata: Raise the Banner. Directed by Robert A. Nakamura, one of VC's founders, the film looks back at the life of a man named Oda and other Japanese American through the decades as they face great challenges and joys of living in the United States. VC has also served as the nonprofit fiscal sponsor for many other independent productions that are financed primarily through foundation, government, and corporate grants. These productions are noncommercial in nature and have focused on issues as diverse as the formation of ethnic studies programs on college campuses, city redevelopment issues, the redress campaign for Japanese Americans interned during World War II, and the declaration of martial law in the Philippines. VC's own history in narrative films, documentaries, and educational projects is intertwined with the Asian Pacific American movements of the 1970s and, in itself, represents a rich resource for researchers of the Asian Pacific American movements. The collections focus on Asian Pacific communities here in the United States, including Chinese, Filipino, Japanese, Korean, and Southeast Asian. VC materials are used in films, videos, educational materials, publications, and major photographic exhibits across the United States.
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- Arts, Culture, Pop Culture, and Media
- AsianWeek
- Better Luck Tomorrow
- Giant Robot
- Hyphen Magazine
- Korea Times
- KoreAm Journal
- Rafu Shimpo
- Actors, Asian American
- Angry Asian Girl
- Angry Asian Man
- Anime/Manga
- Art and Artists, Visual
- Asian American International Film Festival
- Athletes
- Beauty Pageants, Asian American
- Bollywood
- Cartoons and Asian Americans
- Center for Asian American Media
- Chan, Charlie
- Comic and Graphic Novels
- Dong, Arthur
- East West Players
- Fashion and Designers
- Filipino American Rap
- Film, Asian American
- Food, Asian American
- Hallyu (Korean Wave)
- Harold and Kumar Films
- Internet
- Japanese American National Museum
- Karaoke/No Re Bang
- KPOP
- Lunar New Year
- Martial Arts
- Music and Musicians
- National Archives and Records Administration
- Plays and Playwrights
- Popular Culture (Overview)
- Restaurateurs and Chefs
- Smithsonian Asian Pacific American Program
- Social Networks, Asian American
- Sporting Culture
- Television, Asian Americans and
- Television, Korean Americans and
- Theater and Drama
- Visual Communications
- YouTube Performers
- Asian American Literature
- Aiiieeeee!
- Amerasia Journal
- Asian American Literary Review, The
- Bamboo Ridge: Journal of Hawai‘i Literature and Arts
- Journal of Asian American Studies
- Chinese American Literature
- Filipino American Authors
- Filipino American Literature
- Hawai‘i/Local Literature
- Hawai‘ian Pidgin
- Indian American Literature
- Japanese American Authors
- Japanese American Literature
- Korean American Authors
- Korean American Literature
- MELUS
- South Asian American Literature
- Southeast Asian American Literature
- Biographies
- Class, Economy, Labor, and Work
- Activism, Asian American
- Asian American Chamber and Junior Chamber of Commerce
- Asian American Movement
- Asian Critical Theory
- Asian Pacific American Labor Alliance
- Asian-Black Relations
- Chinese Americans, Organization of
- Employment (Overview)
- Glass Ceiling/Bamboo Ceiling
- Globalization
- Gold Mining
- Hawai‘ian Plantations
- Income
- Nail Salons
- Science and Scientists
- Small Business Ownership
- Undocumented Workers and Students
- Unions
- Women and Work
- Education
- Fisher v. University of Texas
- Academia
- Affirmative Action
- Asian American and Native American Pacific Islander Servicing Institutions
- Asian American and Pacific Islander Research Coalition
- Asian American Greek Life
- Asian American Student Organizations
- Asian American Studies
- Asian American Studies and Globalization
- Asian and Pacific Islander American Scholarship Fund
- Association for Asian American Studies
- Bilingual Education
- Cambodian Americans (Education)
- College Admissions Debates
- Community College, Asian Americans in
- Cram Schools/Hagwons
- Cultural Exchange Programs
- Cultural Immersion/Language Programs
- Education
- Ethnic Studies
- Filipino Americans (Education)
- Hawai‘i, Education
- Helicopter Parents
- Higher Education, Asian Americans in
- Hmong Americans (Education)
- International Students/Parachute Kids
- Kamehameha Schools
- Laotian Americans (Education)
- Model Minority Stereotype/Whiz Kids
- National Latino and Asian American Study
- Pan Asian American Education
- Remittance
- Schools, Chinese Language
- Schools, Japanese Language
- Schools, Korean Language
- Second-Generation Chinese
- Second-Generation Filipino
- Second-Generation Korean
- Southeast Asian Americans (Education)
- Student Affairs, Asian American
- Vietnamese Americans (Education)
- Ethnic Groups
- Bangladeshi Americans
- Burmese/Myanmar Americans
- Cambodian Americans
- Chinese Americans
- Chinese-Vietnamese Americans
- Filipino Americans
- Hawai‘ians, Native
- Hmong Americans
- Indian Asian Americans
- Indonesian Americans
- Japanese Americans
- Korean Americans
- Laotian Americans
- Malaysian Americans
- Mongolian Americans
- Pacific Islander Americans
- Pakistani Americans
- South Asian Americans
- Taiwanese Americans
- Thai Americans
- Vietnamese Americans
- Family, Generations, and Youth Culture
- 1.5-Generation Asian American
- ABC (American-Born Chinese)
- Adoption
- Code Switching
- Debut
- Diasporic Families
- Families (Overview)
- Gender and Sexuality
- Immigrant Families
- Interfaith Relationships
- Interracial/Interethnic Families
- LGBTQ Families
- LGBTQ Youth
- Marriage and Divorce
- Military Families
- Motherhood/Asian Americans
- Multiracial/Multiethnic Families
- Online Dating
- Racism
- Sexism
- Stereotypes: Dragon Lady or Docile
- Stereotypes: Sexuality
- Tiger Mothers
- Youth, Asian American
- History of Asian Americans
- Korematsu v. United States
- Angel Island: Immigration Station
- Anti-Martial Law Movement
- Asian Pacific American Heritage Month
- Asian Settler Colonialism
- Chinatown, Monterey Park
- Chinatowns
- Chinese Exclusion Act of 1882
- Christian Missionary Work and Educational Outreach to Asian Americans
- Conservatism, Asian American
- Executive Order 9066
- Filipino Nurse Migration
- Filipino Seamen
- Foreign Policy: U.S. and China in World War II
- Hawai‘i Sugar Plantation Strike of 1946
- Hawai‘ian Homestead Lands
- Hawai‘ian Monarchy, Overthrow of
- Japantowns
- Korean War
- Koreatowns
- Manila Men
- Pearl Harbor
- Pew Research and State of Asian Americans
- Suburbanization, Asian American
- Transcontinental Railroads
- Vietnam War
- Women, Asian American
- World War II
- Yellow Peril
- Identities
- Acculturation
- Adoption
- Asian-Latino Relations
- Assimilation/Segmented Assimilation
- Critical Race Theory
- EthnoCommunications
- Filipino Diasporic Identity
- Filipino-Latino Relations
- Hawai‘i, Asian Americans in
- Identity Formation
- Language and Identity
- Language Use, Asian American
- LGBTQ Identity
- Mexipino
- Multiracial/Multiethnic Identities
- Picture Brides
- Racial Formation
- South Asian Identities
- Yellow
- Immigration/Migration
- Balikbayan
- Boat People
- Chinese Immigration
- Citizenship/Legal Status
- Ellis Island
- Ethnoburbs
- Family Reunification 1965 Immigration Act
- Filipino Immigration
- Immigration (Overview)
- Immigration Policy
- Japanese Immigration
- Korean Immigration Post-1965
- Korean Immigration Pre-1945
- Refugees
- South Asian Immigration
- Thai Refugee/Immigration
- Undocumented Immigrants
- Vietnamese Refugee/Immigration
- Visas
- Politics, Government, and Public Policy
- Hampton v. Mow Sun Wong
- Alcatraz, Occupation of
- Anti-Miscegenation Laws
- Asian Americans Advancing Justice-Los Angeles
- Asian Exclusion Acts
- Asian Law Caucus
- Asian Women United of California
- Census Demographic Shifts
- Don't Ask, Don't Tell
- Elected Officials
- Environmental Justice
- Foreign Miner's Tax
- Hate Crimes Act
- Immigration Acts
- Internment Camps, Japanese American
- Isolationist Policy, U.S.
- Justices, Asian American
- Language Programs
- Massie-Kahahawai Case
- Policy and Research
- Politics
- Social Justice
- War Brides Act
- White House Initiative on Asian Americans and Pacific Islanders
- Religion
- Social Movement and Social Change
- Asian American Justice Center
- Asian American/Pacific Islanders in Philanthropy
- Chin, Vincent
- Chinese American Citizens Alliance
- Civil Rights
- Demonstration Project for Asian Americans
- Family Reunification 1965 Immigration Act
- Feminism, Asian American
- Japanese American Citizens League
- LGBTQ Asian American Activism
- Los Angeles Riots/Sa-I-Gu
- National Council for Japanese American Redress
- Organization of Chinese American Women
- Social Problems
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