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Aesthetic Appreciation

Aesthetics is the area of philosophy that studies the nature of beauty and art. Aesthetic appreciation, then, is the admiration of beauty, such as valuing the fine arts of music, literature, dance, and visual art. What is considered beautiful and even what is considered art are not always agreed upon by everyone in the same culture, much less across different times. Recognizing what is appreciated aesthetically for a given group can help us understand the values that inform their decisions, how individuals interact with each other, and even how advanced a past civilization was according to how art was incorporated into their tasks. Much of what we know about ancient civilizations in Egypt, Greece, South America, and China, for example, comes from the art and artifacts that have been uncovered by archaeologists. The word aesthetics comes from the Greek word aisthanomai, which means to perceive. Theories of aesthetics fall under the study of philosophy and other disciplines concerned with how we value what we perceive.

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Source: © iStockphoto/Radu Razvan.

Artifacts are objects created for human use, such as tools, weapons, clothing, utensils, and individual works of art. The word art usually refers to the intentional process of creating something to fulfill an aesthetic purpose. Because there are choices in how artifacts are designed, they can be artistic and carry an aesthetic quality. While some people share reactions to certain objects of art, the aesthetic properties themselves are usually subject to individual interpretation. That a painting is square, framed in gold, and brushed with blue and yellow pigments are aesthetic facts; they are not questionable. That the square represents perfect order, the gold depicts the prestige of royalty, and the vibrant blue and yellow convey the peace, warmth, and contentment of the sun shining in the sky are aesthetic determinations that could be interpreted differently. They are judgments. Aesthetic properties often have the power to inspire emotional response, and such a response is not likely to be consistent.

Whether or not there is a universal concept of beauty is a question philosophers have asked for centuries. Nevertheless, the beauty and aesthetic properties found in art serve many purposes. Art can be educational, as with an illustration that details the bones in the human skeleton. It can be representative, as with a play that tells the life of two characters in history. It can motivate, as with a speech that inspires listeners to action. Art can enrich our lives in the way that a sculpture adorns a room or music inspires a mood. The ways we communicate what we perceive in the world are expressed in how we create, value, and respond to the aesthetic properties of art. Contemporary philosophers of aesthetics are concerned with our perceptions, both immediate images that present themselves in our minds and the personal manner in which we make sense of such impressions. Because aesthetic appreciation inspires emotional response, it is also of interest to cognitive psychologists who seek to know how the brain processes what we see.

Major Contributors

The term aesthetics was first used in 1735 by Alexander Gottlieb Baumgarten, a German philosopher who separated the study of knowledge into two subgroups: logic as the study of abstract ideas and aesthetics as the study of how feelings influence sensory perception. The topic itself is much older, having been explored by ancient Greek philosophers. Plato (427–347 BC)believed that true reality exists in perfect forms of concepts like good, beauty, triangle, and so on. People and objects can at best only be imitations of the ideal forms, because the world we live within is made of appearances. If something is beautiful, it is because we strive to know the ideal form of beauty. In the dialogue The Republic, Plato suggests that art can be dangerous. Poems and stories can be entertaining and beautiful, but they are falsehoods because they are only representations of true reality. Plato saw art as an imitation of life and life as an imitation of the ideal forms. Aristotle(384–322 BC) similarly recognized the imitative value of art but more as an instrument for communicating with nature. When we appreciate something for its aesthetic value, positive emotions are aroused because we step away from our individual selves and recognize the universal beauty we share with all of nature. Aristotle saw poetry and tragedy as ways of rising above individual emotional situations; aesthetic appreciation paves the way for spiritual purification.

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