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The Ekoi people, also called Ejagham, are found in southeastern Nigeria; their territory straddles the border with Cameroon. Known for their mastery of the art of sculpture, the Ekoi have developed one of the most complex forms of group organization based on or, at least, expressed through their art form. There are seven clans that include all Ekoi, much like the seven abusua of the Akan of Ghana. However, whereas the Akan are matrilin-eal, the Ekoi are patrilineal, and this has implications for kinship links as well as ceremonial styles.

Ekoi clans represent kinship and initiation patterns that are reflected in the kind of sculptures worn during ceremonial occasions as expressions of the ancestral clan. Indeed, just as in all African societies, the Ekoi clans are ancestral. However, the specialized emblem of clan membership through the use of particular sculptures underscores the Ekoi's religious kinship as one of blood relation. The fact that the people have an emblem of their common membership in a clan is not so unusual, but the fact that it is a sculpture, especially carved for the clan to recognize and solidify their commonality, is a form of sanctification of the clan relationship. This entry looks at their religion and the masks that are part of its rituals.

Religious Practices

The religious practice of the Ekoi is related to the general context of their existence and reflects their outlook on life. For example, the Ekoi are some of the best hunters in their area because of their constant monitoring of the conditions around them. They have historically been keen regarding the movement of animals, the nature of the forest, and the character of the weather. Their diviners and priests have made studies of the natural environment that guide them in determining the direction of the wind, the time of the rains, and how much and how long it will rain. This combination of skills, honed by time, tradition, and study of nature, has added to the tremendous respect that surrounding ethnic groups have for the Ekoi's ability to hunt, investigate, discover, and make sacrifice.

On special religious and ceremonial days, the Ekoi villages organized into the seven clans come together to celebrate with elaborately decorated wood-sculptured masks. Usually covered with the skins of animals, the powerful Ekoi mask is situated on a basket and worn on top of the head with a cowl covering the face of the wearer who dances the special dance of a particular ancestor or spirit. These masks are quite dynamic, and their visages are meant to represent vitality, power, courage, skill, character, discipline, and strength. The messages are clear to the observers who watch the dancers and discover in them philosophical and social commentaries. Among the most remarkable feature of the performances is the reinforcement of a highly ethical life based on the values handed down from the first clan ancestor. Celebration of the ancestors with the powerful dances of the awesome masks is therefore a celebration of the people.

According to some authorities, the masks of the Ekoi are considered some of the most naturalistic in Africa. However, this statement has to be taken with caution because the fact that the sculptured masks of the Ekoi resemble human beings, however distorted, does not mean that they are naturalistic. Indeed, the masks of the Ekoi may be among the most abstract images in Africa precisely because they look so naturalistic. They are profoundly proverbial and philosophical. The Egbo society of secrets makes statues looking like humans with mobile parts. However, the masks of the Ekoi are important as well for the subtle philosophical messages they convey.

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