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Reverend Billy is a persona created by the New York–based performance artist Bill Talen. Wearing a jacket and a fake clerical collar, Talen parodies the preaching practices of mass media evangelicals to critique issues of consumer culture, labor rights, and urban transformation under advanced capitalism.

Talen appropriates the costume and demeanor of the preacher to generate a theatrical tone for his rants about the effects of capitalism on people's daily lives. Usually accompanied by the Stop Shopping Gospel Choir, Reverend Billy transforms performance venues into spaces of religious fervor, with a twist.

Besides performing on stage, Billy also performs, with collaborators and followers, in concrete commercial spaces such as the Disney Store and Starbucks, joined by collaborators and followers. Through different tactics, they indirectly address casual shoppers and employees, laying bare the stores' commercial strategies or denouncing its reliance on cheap, transnational labor. Reverend Billy orchestrates events that radically alter the preestablished protocol of proper mass consumption. These performances are both scripted and improvised in order to respond to the specificities of the place and to the actual responses of the people present. The scripts are available online in the Reverend Billy's webpage in the style of how-to manuals for activists. These actions include the following:

Shoplift: Taking the word literally, the participants of this action lift products and, using prayer as a conduit, they communicate with the workers who made the products to acknowledge the exploitative labor conditions to which the workers are bound.

WhirlMart: This is one of Billy's nonshopping events, intended for activists against Wal-Mart or big box stores. During the hour that the action lasts, participants move around the commercial space with empty carts and then form lines with other empty-cart comrades to manifest a communal gesture of anti-consumerism.

First Amendment Mobs: Many of Reverend Billy's actions are site-specific and point out the forgotten histories of concrete spaces. In the First Amendment Mobs, Billy's followers congregate to produce a collective recitation of the Bill of Rights in places where police proceedings did not honor the rights of a detainee.

Cell phone operas: These collective actions protest the proliferation of cell phone use and the subsequent invasion of the public sphere by private matters. In one cell phone opera, the participants all talked loudly on their cell phones trying to clear up the confusion that resulted from arranging meetings at Starbucks—in an area where there were three different Starbucks.

Reverend Billy's actions are structured around a belief in theatricality and parody as powerful tools to disrupt through scandal the smooth flow of transnational economies. In this sense, his tactics aim at unveiling the aspects of production and circulation, such as labor and market strategies, that are hidden to the consumers but affect their daily lives.

Marcela A.Fuentes

Further Reading

Lane, J.Reverend Billy: Protest, preaching, postindustrial flanerie. TDR: The Drama Review46 (1) 60–84. (2002, Spring). http://dx.doi.org/10.1162/105420402753555859
Reverend Billy and the Church of Stop Shopping. Retrieved March 12, 2006, from http://www.revbilly.com
Talen, B.(2005). What should I do if Reverend Billy is in my store?New York: New Press.
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