Summary
Contents
Subject index
This volume in The SAGE Reference Series on Disability explores the arts and humanities within the lives of people with disabilities. It is one of eight volumes in the cross-disciplinary and issues-based series, which incorporates links from varied fields making up Disability Studies as volumes examine topics central to the lives of individuals with disabilities and their families. With a balance of history, theory, research, and application, specialists set out the findings and implications of research and practice for others whose current or future work involves the care and/or study of those with disabilities, as well as for the disabled themselves. The presentational style (concise and engaging) emphasizes accessibility. Taken individually, each volume sets out the fundamentals of the topic it addresses, accompanied by compiled data and statistics, recommended further readings, a guide to organizations and associations, and other annotated resources, thus providing the ideal introductory platform and gateway for further study. Taken together, the series represents both a survey of major disability issues and a guide to new directions and trends and contemporary resources in the field as a whole.
Selected Print and Electronic Resources
Selected Print and Electronic Resources
This chapter provides an annotated list of selected print and electronic resources pertaining to topics in disability in the arts and humanities. The print resources are presented in three categories: scholarly sources; life writing; and art collections. The electronic resources are presented in seven categories: scholarly journals; literary journals and presses; e-zines and magazines; personal blogs, blog hubs, and blog carnivals; listservs, forums, and social networking resources; projects, resources, and collectives; and films and videos.
Print Resources
Scholarly Sources
Auslander, P., & Sandahl, C. (Eds.). (2002). Bodies in commotion: Disability and performance. Ann Arbor: University of Michigan Press.
This cross-disciplinary collection of essays describes what disability studies and theater studies/performance studies can offer one another. Interested in the concept of “commotion,” the essays focus on the power of performance (broadly, including theater, dance, literary criticism, cultural studies, arts, sports, and activism) to transgress boundaries and interrogate disability identity.
Brueggemann, B. J. (1999). Lend me your ear: Rhetorical constructions of deafness. Washington, DC: Gallaudet University Press.
This work applies the classical and contemporary framework of rhetorical theory and practice to constructions of “deafness” (as a condition) and “Deaf culture” (as a social phenomenon). It combines critical and creative approaches to explore rhetorical constructions of deafness as a disability, as a pathology, and as a culture.
Brueggemann, B. J. (2009). Deaf subjects: Between identities and places. New York, NY, and London, UK: New York University Press.
Deaf Subjects explores the construction of modern deaf subjects and the borders and between-places where deafness, deaf people, and Deaf culture might be found. Topics covered include the tension between deafness and/as a disability, intersecting deaf identity with gender, and considering the place of Deaf studies and American Sign Language in the academy.
Brueggemann, B. J., & Burch, S. (Eds.). (2006). Women and deafness: Double visions. Washington, DC: Gallaudet University Press.
In the first book to bring Deaf studies and women's studies together, contributors to this interdisciplinary collection consider deaf women's roles inside and outside the (Deaf) community, women's authority in shaping deafness and deaf children in schools and families, and representations of deaf women in film, art, language, and popular culture events such as beauty pageants.
Brueggemann, B. J., & Lupo, M. E. (2008). Disability and/in prose. London, UK, and New York, NY: Routledge.
This work contains 14 personal and/or critical essays that explore the intersections between “prose” and “disability.” Themes include the essay as a principal (and historical) form for writing about disability, 19th-century literary and cultural history that brings together the working body and disability, war and “normalcy,” and the role of metaphor in critical and creative prose on disability.
Burch, S. (2009). Encyclopedia of American disability history (Vols. 1–3). New York, NY: Facts on File.
This three-volume reference series offers more than 750 entries, over 70 primary documents, and an annotated chronology from 1624 to 2009. More than 350 contributors composed entries that cover events, people, places, laws, and policies about disability as both a historical and a contemporary issue.
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