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Idiophones: Plucked Instruments
Plucked idiophones can be divided into two prominent groups: the mouth harps and the thumb pianos, so called. A third group are music boxes. All three groups are based on the principle of using one or more flexible lamellae (thin, plate-like objects) that are plucked by hand or mechanically. They ...
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- Aerophones, an Overview
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- Chordophones, an Overview
- Chordophones: Fiddles
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- Chordophones: Musical Bows
- Chordophones: Zithers
- Electronic Music
- Idiophones, an Overview
- Idiophones: Concussion Instruments
- Idiophones: Friction Instruments
- Idiophones: Plucked Instruments
- Idiophones: Scraped Instruments
- Idiophones: Shaken Instruments
- Idiophones: Stamping Instruments
- Idiophones: Struck Instruments
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- Congo, Democratic Republic of: Modern and Contemporary Performance Practice
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- Eritrea: Modern and Contemporary Performance Practice
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- Gambia: History, Culture, and Geography of Music
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- Guinea, Republic of: History, Culture, and Geography of Music
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- Guinea-Bissau: History, Culture, and Geography of Music
- Guinea-Bissau: Modern and Contemporary Performance Practice
- Kenya: History, Culture, and Geography of Music
- Kenya: Modern and Contemporary Performance Practice
- Lesotho: History, Culture, and Geography of Music
- Lesotho: History, Culture, and Geography of Music
- Lesotho: Modern and Contemporary Performance Practice
- Libya: History, Culture, and Geography of Music
- Libya: Modern and Contemporary Performance Practice
- Madagascar: History, Culture, and Geography of Music
- Madagascar: Modern and Contemporary Performance Practice
- Malawi: History, Culture, and Geography of Music
- Malawi: Modern and Contemporary Performance Practice
- Mali: History, Culture, and Geography of Music
- Mali: Modern and Contemporary Performance Practice
- Mauritania: History, Culture, and Geography of Music
- Mauritania: Modern and Contemporary Performance Practice
- Morocco: History, Culture, and Geography of Music
- Morocco: Modern and Contemporary Performance Practice
- Mozambique: History, Culture, and Geography of Music
- Mozambique: Modern and Contemporary Performance Practice
- Niger: History, Culture, and Geography of Music
- Niger: Modern and Contemporary Performance Practice
- Nigeria: History, Culture, and Geography of Music
- Nigeria: Modern and Contemporary Performance Practice
- Senegal: History, Culture, and Geography of Music
- Senegal: Modern and Contemporary Performance Practice
- Sierra Leone: History, Culture, and Geography of Music
- Sierra Leone: Modern and Contemporary Performance Practice
- Somalia: History, Culture, and Geography of Music
- Somalia: Modern and Contemporary Performance Practice
- South Africa: History, Culture, and Geography of Music
- South Africa: Modern and Contemporary Performance Practice
- South Sudan: History, Culture, and Geography of Music
- South Sudan: Modern and Contemporary Performance Practice
- Swaziland: History, Culture, and Geography of Music
- Swaziland: Modern and Contemporary Performance Practice
- Tanzania: History, Culture, and Geography of Music
- Tanzania: Modern and Contemporary Performance Practice
- Togo: History, Culture, and Geography of Music
- Togo: Modern and Contemporary Performance Practice
- Tunisia: History, Culture, and Geography of Music
- Tunisia: Modern and Contemporary Performance Practice
- Uganda: History, Culture, and Geography of Music
- Uganda: Modern and Contemporary Performance Practice
- Western Sahara: History, Culture, and Geography of Music
- Western Sahara: Modern and Contemporary Performance Practice
- Zambia: History, Culture, and Geography of Music
- Zambia: Modern and Contemporary Performance Practice
- Zimbabwe: History, Culture, and Geography of Music
- Zimbabwe: Modern and Contemporary Performance Practice
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- Americas
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- Belize: Modern and Contemporary Performance Practice
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- Brazil: Modern and Contemporary Performance Practice
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- Azerbaijan: Modern and Contemporary Performance Practice
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- Borneo: History, Culture, and Geography of Music
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- Korea: Modern and Contemporary Performance Practice
- Laos: History, Culture, and Geography of Music
- Laos: Modern and Contemporary Performance Practice
- Malaysia: History, Culture, and Geography of Music
- Malaysia: Modern and Contemporary Performance Practice
- Mongolia, Inner Mongolia, and Mongols
- Mongolia: Modern and Contemporary Performance Practice
- Nepal: History, Culture, and Geography of Music
- Nepal: Modern and Contemporary Performance Practice
- Pakistan: History, Culture, and Geography of Music
- Pakistan: Modern and Contemporary Performance Practice
- Philippines: History, Culture, and Geography of Music
- Philippines: Modern and Contemporary Performance Practice
- Russia and Central Asia: Indigenous Music; Ancestral and Contemporary Practices
- Sarawak: Modern and Contemporary Performance Practice
- Singapore: History, Culture, and Geography of Music
- Singapore: Modern and Contemporary Performance Practice
- Tajikistan: History, Culture, and Geography of Music
- Tajikistan: Modern and Contemporary Performance Practice
- Thailand: History, Culture, and Geography of Music
- Thailand: Modern and Contemporary Performance Practice
- Tibet and Tibetans
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- Uzbekistan: History, Culture, and Geography of Music
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- Middle East
- Arabic Music
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- Cyprus: Modern and Contemporary Performance Practice
- Egypt: History, Culture, and Geography of Music
- Egypt: Modern and Contemporary Performance Practice
- Iran: History, Culture, and Geography of Music
- Iran: Modern and Contemporary Performance Practice
- Israel: History, Culture, and Geography of Music
- Israel: Modern and Contemporary Performance Practice
- Jordan: History, Culture, and Geography of Music
- Jordan: Modern and Contemporary Performance Practice
- Kuwait: History, Culture, and Geography of Music
- Kuwait: Modern and Contemporary Performance Practice
- Lebanon: History, Culture, and Geography of Music
- Lebanon: Modern and Contemporary Performance Practice
- Oman
- Palestine: History, Culture, and Geography of Music
- Palestine: Modern and Contemporary Performance Practice
- Qatar: History, Culture, and Geography of Music
- Qatar: Modern and Contemporary Performance Practice
- Saudi Arabia: History, Culture, and Geography of Music
- Saudi Arabia: Modern and Contemporary Performance Practice
- Syria: History, Culture, and Geography of Music
- Syria: Modern and Contemporary Performance Practice
- Turkey: History, Culture, and Geography of Music
- Turkey: Modern and Contemporary Performance Practice
- Yemen: History, Culture, and Geography of Music
- Yemen: Modern and Contemporary Performance Practice
- Oceania and Australasia
- Aotearoa: History, Culture, and Geography of Music
- Aotearoa: Modern and Contemporary Performance Practice
- Australia: History, Culture, and Geography of Music
- Australia: Modern and Contemporary Performance Practice
- Hawaiian Music
- Indonesia: History, Culture, and Geography of Music
- Indonesia: Modern and Contemporary Performance Practice
- Melanesia
- Micronesia: History, Culture, and Geography of Music
- Micronesia: Modern and Contemporary Performance Practice
- Oceania
- Papua New Guinea: History, Culture, and Geography of Music
- Papua New Guinea: Modern and Contemporary Performance Practice
- Polynesia
- Sumatra
- Europe
- Albania: History, Culture, and Geography of Music
- Albania: Modern and Contemporary Performance Practice
- Armenia: History, Culture, and Geography of Music
- Armenia: Modern and Contemporary Performance Practice
- Austria: History, Culture, and Geography of Music
- Austria: Modern and Contemporary Performance Practice
- Azerbaijan: History, Culture, and Geography of Music
- Azerbaijan: Modern and Contemporary Performance Practice
- Belarus: Modern and Contemporary Performance Practice
- Belgium: History, Culture, and Geography of Music
- Belgium: Modern and Contemporary Performance Practice
- Bosnia and Herzegovina: History, Culture, and Geography of Music
- Bosnia and Herzegovina: Modern and Contemporary Performance Practice
- Bulgaria: Modern and Contemporary Performance Practice
- Croatia: History, Culture, and Geography of Music
- Croatia: Modern and Contemporary Performance Practice
- Cyprus: History, Culture, and Geography of Music
- Cyprus: Modern and Contemporary Performance Practice
- Czech Republic: History, Culture, and Geography of Music
- Czech Republic: Modern and Contemporary Performance Practice
- England: History, Culture, and Geography of Music
- England: Modern and Contemporary Performance Practice
- Estonia: History, Culture, and Geography of Music
- Europe
- Europe, British Isles
- Europe, Central
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- Finland: History, Culture, and Geography of Music
- Finland: Modern and Contemporary Performance Practice
- France: History, Culture, and Geography of Music
- France: Modern and Contemporary Performance Practice
- Georgia: History, Culture, and Geography of Music
- Georgia: Modern and Contemporary Performance Practice
- Germany: History, Culture, and Geography of Music
- Germany: Modern and Contemporary Performance Practice
- Greece: History, Culture, and Geography of Music
- Greece: Modern and Contemporary Performance Practice
- Hungary: History, Culture, and Geography of Music
- Hungary: Modern and Contemporary Performance Practice
- Iceland: History, Culture, and Geography of Music
- Iceland: Modern and Contemporary Performance Practice
- Ireland: History, Culture, and Geography of Music
- Ireland: Modern and Contemporary Performance Practice
- Italy: History, Culture, and Geography of Music
- Italy: Modern and Contemporary Performance Practice
- Kosovo: History, Culture, and Geography of Music
- Kosovo: Modern and Contemporary Performance Practice
- Latvia: History, Culture, and Geography of Music
- Latvia: Modern and Contemporary Performance Practice
- Macedonia: History, Culture, and Geography of Music
- Macedonia: Modern and Contemporary Performance Practice
- Moldova: History, Culture, and Geography of Music
- Moldova: Modern and Contemporary Performance Practice
- Montenegro: History, Culture, and Geography of Music
- Montenegro: Modern and Contemporary Performance Practice
- Netherlands: History, Culture, and Geography of Music
- Netherlands: Modern and Contemporary Performance Practice
- Norway: Modern and Contemporary Performance Practice
- Poland: History, Culture, and Geography of Music
- Poland: Modern and Contemporary Performance Practice
- Portugal: History, Culture, and Geography of Music
- Portugal: Modern and Contemporary Performance Practice
- Romani Music
- Romania: History, Culture, and Geography of Music
- Romania: Modern and Contemporary Performance Practice
- Russia and Central Asia, an Overview
- Russia: History, Culture, and Geography of Music
- Russia: Modern and Contemporary Performance Practice
- Scotland: History, Culture, and Geography of Music
- Scotland: Modern and Contemporary Performance Practice
- Serbia: History, Culture, and Geography of Music
- Serbia: Modern and Contemporary Performance Practice
- Slovakia: History, Culture, and Geography of Music
- Slovakia: Modern and Contemporary Performance Practice
- Slovenia: History, Culture, and Geography of Music
- Slovenia: Modern and Contemporary Performance Practice
- Spain: History, Culture, and Geography of Music
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- Sweden: Modern and Contemporary Performance Practice
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- Switzerland: Modern and Contemporary Performance Practice
- Ukraine: History, Culture, and Geography of Music
- Ukraine: Modern and Contemporary Performance Practice
- Wales: History, Culture, and Geography of Music
- Wales: Modern and Contemporary Performance Practice
- Indigenous Music
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- Field Recordings
- Fieldwork
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- Historical Ethnomusicology
- Laboratory Site and Techniques
- Law and Public Policy
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- Research
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- Borders
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- Praise Song
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- Rural Space and the Rural Imaginary
- Shamanism, Music and
- Street Music
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