- Subject index
The SAGE Handbook of the 21st Century City focuses on the dynamics and disruptions of the contemporary city in relation to capricious processes of global urbanisation, mutation and resistance. An international range of scholars engage with emerging urban conditions and inequalities in experimental ways, speaking to new ideas of what constitutes the urban, highlighting empirical explorations and expanding on contributions to policy and design. The handbook is organised around nine key themes, through which familiar analytic categories of race, gender and class, as well as binaries such as the urban/rural, are readdressed. These thematic sections together capture the volatile processes and intricacies of urbanisation that reveal the turbulent nature of our early twenty-first century: Hierarchy: Elites and Evictions Productivity: Over-investment and Abandonment Authority: Governance and Mobilisations Volatility: Disruption and Adaptation Conflict: Vulnerability and Insurgency Provisionality: Infrastructure and Incrementalism Mobility: Re-bordering and De-bordering Civility: Contestation and Encounter Design: Speculation and Imagination This is a provocative, inter-disciplinary handbook for all academics and researchers interested in contemporary urban studies.
Chapter 11: Ruination and Post-industrial Urban Decline
Ruination and Post-industrial Urban Decline
Ruination and decline are enduring urban themes in popular culture, literature, history, and urban sociology. From classical ruins of ‘great’ civilizations, to bombed-out buildings in the aftermath of war, to abandoned factories and derelict cinemas, ruins have provoked reflection for centuries. There has been a surge of new interest in modern ruins in the twenty-first century. Coffee table books abound featuring ‘ruins porn,’ particularly the much photographed ruins of Detroit. It is easy to be critical of the phenomenon of the ‘dereliction tourist,’ the voyeur snapping photos of ruins where communities once thrived (Mah 2014a). Tim Strangleman (2013) rejects such a view, arguing that the trend in photographing industrial ...