• Summary
  • Contents
  • Subject index

“The SAGE Handbook of Popular Music is a comprehensive, smartly-conceived volume that can take its place as the new standard reference in popular music. The editors have shown great care in covering classic debates while moving the field into new, exciting areas of scholarship. International in its focus and pleasantly wide-ranging across historical periods, the Handbook is accessible to students but full of material of interest to those teaching and researching in the field.” - Will Straw, McGill University “Celebrating the maturation of popular music studies and recognizing the immense changes that have recently taken place in the conditions of popular music production, The SAGE Handbook of Popular Music features contributions from many of the leading scholars in the field. Every chapter is well defined ...

Part I: Theory and Method

  • By: C.J. Feldman (now Feldman-Barrett), S. Frith, S. Frith, R. Leppert, S. McClary, S. Frith, S. Hall, S. Hall, D. Hobson, A. Lowe, P. Willis, S. Hall, T. Jefferson, D. Hebdige, R. Hoggart, W.H. Mellers, R. Middleton, T. Mitchell, M. Phillipov, M. Regev, M. Regev, T. Rose, G. St. John, M. Stokes, P. Tagg, P. Wicke, R. Williams & I. Woodward
  • In:The SAGE Handbook of Popular Music
  • Subject:Popular Culture, Popular Music, Popular Music
Theory and Method
Theory and Method

As already indicated in the Introduction to this Handbook, the popular music studies field draws on a variety of different theoretical and methodological ...

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