What informs the process of remembering and forgetting? Is it merely about our capability to store and retrieve experiences in a purely functional sense? What about 'collective memories', not just those of the individual - how do these manifest themselves in the passages of time? The authors present a new, fascinating insight into the social psychology of experience drawing upon a number of classic works (particularly by Frederick Bartlett, Maurice Halbwachs & Henri Bergson) to help develop their argument. The significance of their ideas for developing a contemporary psychology of experience is illustrated with material from studies focused on settings at home and at work, in public and commercial organizations where remembering and forgetting are matters of concern, involving language and text based communication, objects and place. As their argument unfolds, the authors reveal that memories do not solely reside in a linear passage of time, linking past, present and future, nor do they solely rest within the indidvidual's conciousness, but that memory sits at the very heart of 'lived experience'; whether collective or individual, the vehicle for how we remember or forget is linked to social interaction, object interaction and the different durations of living that we all have. It is very much connected to the social psychology of experience. This book is written for advanced undergraduate, masters and doctoral students in social psychology. However, it will also be of particular value on courses that deal with conceptual and historical issues in psychology (in cognate disciplines as well) and supplmentary reading in cognitive science.
Chapter One: Introducing Remembering and Forgetting in the Social Psychology of Experience
Introducing Remembering and Forgetting in the Social Psychology of Experience
Figure 1.1 Cornelia Parker's ‘Cold Dark Matter: An Exploded View’
[Page 2]In 1991 the British artist Cornelia Parker arranged for a small garden shed to be blown up with high explosives in a field in Warwickshire. The ‘garden shed’ – a small outhouse structure commonly found outside many British homes – is rich in symbolism. It is traditionally the place where residents will store a curious selection of objects, including tools, broken electrical items, knick-knacks and other oddments that currently serve no great purpose but may ‘one day’ prove to be useful (see Thorburn, 2002, for further illustration). Parker had filled this particular shed with a heterogeneous ...