This is an entirely new edition of the author’s 1984 study (originally published by South End Press) of radical media and movements. The first and second sections are original to this new edition. The first section explores social and cultural theory in order to argue that radical media should be a central part of our understanding of media in history. The second section weaves an historical and international tapestry of radical media to illustrate their centrality and diversity, from dance and graffiti to video and the internet and from satirical prints and street theatre to culture-jamming, subversive song, performance art and underground radio. The section also includes consideration of ultra-rightist media as a key contrast case. The book’s third section provides detailed case studies of the anti-fascist media explosion of 1974-75 in Portugal, Italy’s long-running radical media, radio and access video in the USA, and illegal media in the dissolution of the former Soviet bloc dictatorships.
Chapter 11: Graffiti and Dress
Graffiti and Dress
Many of these instances relate to previous chapters in terms of the mixture of popular and oppositional cultures, directness of aesthetic impact, low-cost accessibility, and their function in tightly repressive situations (Soviet-era Moscow, military dictatorship, the slavery era). They are public sphere interventions that spark the very conversations and interactions, even if surreptitious, that feed social movements, and a movement toward democracy or toward a more strongly democratic culture. Women's agency is very visible again, as it was in Chapter 10.
- Young people's graffiti in Moscow before the collapse of the Soviet Union
- Nigerian students' political graffiti under a harsh military dictatorship
- African American dress styles
- Maya dress in Guatemala during the decades of military repression
- Under military rule Chilean women make arpilleras
- Quilting as clandestine ...