“This guide to the emerging language of creative industries field is a valuable resource for researchers and students alike. Concise, extensively referenced, and accessible, this this is an exceptionally useful reference work.” - Gauti Sigthorsson, Greenwich University “There could be no better guides to the conceptual map of the creative industries than John Hartley and his colleagues, pioneers in the field. This book is a clear, comprehensive and accessible tool-kit of ideas, concepts, questions and discussions which will be invaluable to students and practitioners alike. Key Concepts in Creative Industries is set to become the corner stone of an expanding and exciting field of study” - Chris Barker, University of Wollongong Creativity is an attribute of individual people, but also a feature of organizations like firms, cultural institutions and social networks. In the knowledge economy of today, creativity is of increasing value, for developing, emergent and advanced countries, and for competing cities. This book is the first to present an organized study of the key concepts that underlie and motivate the field of creative industries. Written by a world-leading team of experts, it presents readers with compact accounts of the history of terms, the debates and tensions associated with their usage, and examples of how they apply to the creative industries around the world. Crisp and relevant, this is an invaluable text for students of the creative industries across a range of disciplines, especially media, communication, economics, sociology, creative and performing arts and regional studies.

Internationalisation (of Creative Industries)

Internationalisation (of creative industries)

The origin of the creative industries moment is a contentious topic. Likewise its global diffusion, together with its sibling concept, the ‘creative economy’, has taken unpredicted turns and expedient interpretations. Initially nurtured in the womb of liberal democracy, creative industries is sometimes associated in a negative sense with aspects of neo-liberalism. Others see the creative industries more pragmatically, as a mechanism to effect positive social change. Significantly, policymakers in highly regulated cultural markets have warmed to its renovating potential, celebrating the transformational capacities of the new ‘international discourse’. In the main creative industries discourse has found favour in large cities, particularly those with world city aspirations.

Noting the diffusion and adaptation of the creative economy ‘script’ throughout Asia during ...

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