Summary
Contents
Subject index
How might we understand entanglements of the mind, brain, body and world? And how can we develop creative forms of experimentation to enact these entanglements?
In this unique contribution, Blackman focuses upon the affective capacities of bodies, human and non-human as well as addressing the challenges of the affective turn within social sciences. Fresh and convincing, this book uncovers the paradoxes and tensions in work in affect studies by focusing on practices and experiences, including voice hearing, suggestion, hypnosis, telepathy, the placebo effect, rhythm and related phenomena. Questioning the traditional idea of mind over matter, as well as discussing the danger of setting up a false distinction between the two, this book makes for an invaluable addition within cultural theory and the recent turn to affect.
In a powerful and engaging matter, Blackman discusses the immaterial body across the neurosciences, physiology, media and cultural studies, body-studies, artwork, performance, psychology and psychoanalysis. Interdisciplinary in its core, this book is a must for everyone seeking a dynamic and thought provoking analysis of culture and communication today.
The Subject of Affect: Bodies, Process, Becoming
The Subject of Affect: Bodies, Process, Becoming
In a recent book bringing together work on affect across the humanities, affect is viewed as
integral to a body's perceptual becoming (always becoming otherwise, however subtly, than what it already is), pulled beyond its seeming surface-boundedness by way of its relation to, indeed its composition through, the forces of encounter. With affect, a body is as much outside itself as in itself – webbed in its relations – until ultimately such firm distinctions cease to matter. (Seigworth and Gregg, 2010: 3)
This quote encapsulates one of the key problematics that will be the subject of this book and that characterizes the entry of affect into body studies as a distinctive and important area ...
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