• Summary
  • Contents
  • Subject index

The book is a comprehensive critical history of women performers in Indian theatre and dance of the colonial and postcolonial periods. Its underlying premise is that one cannot evaluate performance in the Indian context without looking at dance and theatre together, unlike the course taken by traditional scholarship. Issues of sexuality and colonialism, and culture and society come together in this study to provide a holistic account of women performers in India.

New information and insights have been provided in the discourse by a close reading of archival materials, field surveys, and extensive interviews, which are the distinguishing features of this book. The book is divided into two sections. The first one is on the Actress, while the second is on the Danseuse in the Indian ...

Tale of the Professional Woman Dancer in Folk Traditions in India: Commodification of Dance and the Traditional Dancing Women
Tale of the professional woman dancer in folk traditions in India: Commodification of dance and the traditional dancing women

I am the Devadasi of the Temple…

Temples may crumble…

But,

I will go on

Forever…

Zoya Zaidi (2007), Aligarh (UP), India.

Dance is found among all societies starting from the pre-literate tribal ones to the most advanced in India. Its functions vary from religious to those of pure entertainment. In the fast changing society, dance along with all other elements of culture, has undergone a lot of change; some forms have become extinct, others have been revived, still some more have changed in order to keep up with a changing audience. Fortunately a ...

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