Hitherto, cultural theory and empirical work on culture have outstripped cultural policy. This book rectifies the peculiar imbalance in the field of Cultural Studies by offering the first comprehensive and international work on cultural policy. Fully alive to the challenges posed by globalization it addresses a wide range of central topics including cinema, television, museums, international organizations, art, public history, drama and performance art. The result is a landmark work in the emerging field of cultural policy. Rigorous in its field of survey and astute in its critical commentary it enables students to gain a global grounding in cultural policy. It will be essential reading for students of cultural studies and cultural sociology.
Chapter 3: Command Cultures and the Postcolonial
Command Cultures and the Postcolonial
[R]emoving the appendix and taking aspirin have no national form. This is not the case with the arts: with them the question of national form does arise. This is because art is the manifestation of people's lives, thoughts and emotions, and it bears a very close relationship to a nation's customs and language. – Mao Tse-Tung, 1950s (85)
Under the slogan of ‘national culture’ the bourgeoisie of all nations … are in fact pursuing the policy of splitting the workers, emasculating democracy and haggling with the feudalists over the sale of the people's rights and the people's liberty. – Lenin, 1900s (On Literature 82)
There was this myth among dissidents in communist times that ordinary Czechs were secretly ...