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Zala Volcic

In: Cultural Expression, Creativity and Innovation

Chapter 14: The Struggle to Express, Create and Represent in the Balkans

Edited by: Helmut Anheier & Yudhishthir Raj Isar

DOI: http://dx.doi.org/10.4135/9781446251010.n15

Subject: Globalization, Sociology of Culture, Media Economics

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Volcic, Z. (2010). The struggle to express, create and represent in the balkans. In H. Anheier & Y. R. Isar (Eds.), The Cultures and Globalization Series 3: Cultural expression, creativity and innovation (pp. 158-165). London: SAGE Publications Ltd doi: 10.4135/9781446251010.n15

Volcic, Zala. "The Struggle to Express, Create and Represent in the Balkans." In Cultural Expression, Creativity and Innovation, edited by Helmut Anheier and Yudhishthir R. Isar, 158-165, The Cultures and Globalization Series 3. London: SAGE Publications Ltd, 2010. doi: 10.4135/9781446251010.n15.

Volcic, Z 2010, 'The struggle to express, create and represent in the balkans', in Anheier, H & Isar, YR (eds), Cultural expression, creativity and innovation, The Cultures and Globalization Series 3, SAGE Publications Ltd, London, pp. 158-165, viewed 14 December 2019, doi: 10.4135/9781446251010.n15.

Volcic, Zala. "The Struggle to Express, Create and Represent in the Balkans." Cultural Expression, Creativity and Innovation. Eds. Helmut Anheier and Yudhishthir R. Isar. London: SAGE Publications Ltd, 2010. 158-165. SAGE Knowledge. Web. The Cultures and Globalization Series 3. 14 Dec. 2019, doi: 10.4135/9781446251010.n15.

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The Struggle to Express, Create and Represent in the Balkans
The struggle to express, create and represent in the balkans
ZalaVolcic

The Balkans, and within them the countries of the former Yugoslavia, have managed to symbolize the sub-sumption of politics to popular culture. Where once the landscape bristled with statues of political heroes and military leaders, now a new breed of statuary has emerged in the form of a bronzed homage to the icons of a global pop culture: Bruce Lee, Bob Marley Rocky and so on. It may be easy to dismiss these often kitsch sculptures as triumphal symbols of the victory of commercial culture in the era of the ‘end of history’, but they must also be seen as evidence of a particular kind of ...

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