The central argument of this book is that the sex//gender distinction is invalid and must be transcended. To this end, the work of Foucault, Connell, Goffman, Garfinkel, Butler, Freud, Derrida, Saussure, Lacquer and Kessler and McKenna is woven into a rich and compelling set of arguments. The sex//gender distinction is attacked for producing a series of irresolvable traps. However much one tries to think one's way out of the dichotomy, one ends up being suckered back into its imponderables and blind alleys. The book attempts to comprehensively reorientate the field and redefine the terrain.
Chapter 9: The Choreography of Sex
The Choreography of Sex
All the world's a stage
And all the men and women merely players.
They have their exits and their entrances,
And one man in his time plays many parts,
His acts being seven ages. At first, the infant,
Mewling and puking in the nurse's arms.
And then, the whining school-boy, with his satchel
And shining morning face, creeping like snail
Unwillingly to school. And then the lover
Sighing like furnace, with a woeful ballad
Made to his mistress' eyebrow. Then a soldier,
Full of strange oaths, and bearded like the pard,
Jealous in honour, sudden and quick in quarrel,
Seeking the bubble reputation
Even in the cannon's mouth. And then, the justice,
In fair round belly with good capon lin'd,
With eyes severe, and beard of formal cut,
Full of wise saws, and modern instances,