What are we to make of Bakhtin? Nearly 20 years after his death, the full richness of his ideas has still not been digested. For many people working in the sicial sciences, he remains a mysterious and impenetrable writer. Many are conscious that his ideas are relevant for sociology and cultural studies, but would be hard pressed to give chapter and verse. Others regard Bakhtin as a figure who contributed to the literary and philologic fields of study. This accessible and thoughtful text aims to demonstrate the relevance of Bakhtin to the human sciences. It argues that most of the current literature has been characterized by a superficial appropriation of Bakhtinian ideas and neologisms. What has been neglected is a serious engagement with his core ideas and a sustained reflection on their implications for social and cultural theory. The book aims to extend Bakhtin's ideas into the mainstream social sciences and to reconsider Bakhtin as a social thinker, not just as a literary theorist. The contributors have diverse backgrounds in the social and human sciences. The contributions are organized around the four main themes in Bakhtin's work: dialogics, carnivals, conversations, and ethics and everyday life. The book is equipped with a lively introduction that discusses the importance of Bakhtin as a major intellectual figure and attempts to situate his ideas in current theoretical trends and developments. Suggestive, accurate, and insightful, this book will be of interest to students and researchers working in the fields of the sociology of culture and cultural studies.
Chapter 10: Bakhtin and Mannheim: An Introductory Dialogue
Bakhtin and Mannheim: An Introductory Dialogue
For in the ideological horizon of any epoch and any social group there is not one, but several mutually contradictory truths, not one but several diverging ideological paths. … Such is the dialectic of real life.
No one social stratum, no one class is the bearer of the total movement; nor is it legitimate to assess this global process merely in terms of the contributions of one class … the harmony of the whole can be grasped only by taking into account the whole contrapuntal pattern of all the voices.
There is no basis for assuming that there were mutual influences between Karl Mannheim (1893–1947), the Hungarian philosopher ...