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Burma/Myanmar: Modern and Contemporary Performance Practice

By: Gavin Douglas
In: The SAGE International Encyclopedia of Music and Culture
Edited by: Janet Sturman
Subject:Sociology of Culture, Social & Cultural Anthropology, Popular Music
Keywords:censorship; law; music; Myanmar; tradition

The country of Burma, renamed Myanmar in 1989, is home to a wide variety of music traditions that reflect the diverse communities within. After independence from Britain in 1948, Burma/Myanmar struggled to maintain political stability amid multiethnic power struggles and an infrastructure ...

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  Douglas, G. (2019). Burma/myanmar: modern and contemporary performance practice. In J. Sturman (Ed.), The SAGE international encyclopedia of music and culture (Vol. 1, pp. 427-428). SAGE Publications, Inc., https://www.doi.org/10.4135/9781483317731.n128
  
  Douglas, Gavin. "Burma/Myanmar: Modern and Contemporary Performance Practice." In The SAGE International Encyclopedia of Music and Culture, edited by Sturman, Janet, 427-28. Thousand Oaks,, CA: SAGE Publications, Inc., 2019. http://dx.doi.org/10.4135/9781483317731.n128.
  
  Douglas, G. 2019. Burma/Myanmar: Modern and Contemporary Performance Practice. In: Janet Sturman Editor, 2019. The SAGE International Encyclopedia of Music and Culture, Thousand Oaks,, CA: SAGE Publications, Inc. pp. 427-428 Available at: <http://www.doi.org/10.4135/9781483317731.n128> [Accessed 18 May 2021].
  
  Douglas, Gavin. "Burma/Myanmar: Modern and Contemporary Performance Practice." The SAGE International Encyclopedia of Music and Culture. Edited by Janet Sturman. Vol. 1. Thousand Oaks,: SAGE Publications, Inc., 2019, pp. 427-28. SAGE Knowledge. 18 May 2021, doi: http://www.doi.org/10.4135/9781483317731.n128.
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