Previous Chapter Chapter 78: The Spectacle and the Culture Industry, the Transcendence of Art and the Autonomy of Art: Some Parallels between Theodor Adorno’s and Guy Debord’s Critical Concepts Next Chapter
In: The SAGE Handbook of Frankfurt School Critical Theory
Chapter 78: The Spectacle and the Culture Industry, the Transcendence of Art and the Autonomy of Art: Some Parallels between Theodor Adorno’s and Guy Debord’s Critical Concepts
Our focus will be a comparative analysis of the contributions of Theodor W. Adorno and Guy Debord, author of The Society of the Spectacle (1967) and main theoretician of the Situationists.1 It is about objective parallels, not about direct influence: no book of Adorno’s was translated into French before 1974, by which time Situationist theory had already been worked out; similarly, we can be sure ...
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