Skip to main content
SAGE Knowledge
SAGE Knowledge
Reference

Previous Chapter Chapter 10: Scent, Sound and Synaesthesia: Intersensoriality and Material Culture Theory Next Chapter

David Howes

In: Handbook of Material Culture

Chapter 10: Scent, Sound and Synaesthesia: Intersensoriality and Material Culture Theory

Edited by: Christopher Tilley, Webb Keane, Susanne Küchler, Michael Rowlands & Patricia Spyer

DOI: http://dx.doi.org/10.4135/9781848607972.n11

Subject: Cultural Studies (general), Material Culture, Culture & History

  • Citations
  • Add to My List
  • Text Size

Citations

Howes, D. (2006). Scent, sound and synaesthesia: intersensoriality and material culture theory. In C. TilleyW. Keane & S. Küchler Handbook of material culture (pp. 161-172). London: SAGE Publications Ltd doi: 10.4135/9781848607972.n11

Howes, David. "Scent, Sound and Synaesthesia: Intersensoriality and Material Culture Theory." In Handbook of Material Culture, 161-172. London: SAGE Publications Ltd, 2006. doi: 10.4135/9781848607972.n11.

Howes, D 2006, 'Scent, sound and synaesthesia: intersensoriality and material culture theory', in Handbook of material culture, SAGE Publications Ltd, London, pp. 161-172, viewed 12 December 2018, doi: 10.4135/9781848607972.n11.

Howes, David. "Scent, Sound and Synaesthesia: Intersensoriality and Material Culture Theory." Handbook of Material Culture. Christopher TilleyWebb Keane and Susanne Küchler. London: SAGE Publications Ltd, 2006. 161-172. SAGE Knowledge. Web. 12 Dec. 2018, doi: 10.4135/9781848607972.n11.

Copy to Clipboard

Have you created a personal profile? Login or create a profile above so that you can save clips, playlists, and searches.

Font Size

A Small A Normal A Large
Scent, Sound and Synaesthesia: Intersensoriality and Material Culture Theory
Scent, sound and synaesthesia: Intersensoriality and material culture theory

The importance of attending to the multiple sensory dimensions of objects, architectures and landscapes is quickly becoming a central tenet of material culture theory. This sensual turn – or better, ‘revolution’ (Howes 2004) – is evident in the various references to the sensuous made by the contributors to The Material Culture Reader (Buchli 2002). In ‘Contested landscapes’, Barbara Bender writes: ‘landscapes are not just “views” but intimate encounters. They are not just about seeing, but about experiencing with all the senses’ (2002: 136). In his chapter on ‘Trench art’, Nicholas Saunders discusses the heightened sensory experience of warfare,1 and the ability of material objects (e.g. recycled munition shells) ...

Looks like you do not have access to this content.

Login

Don’t know how to login?

Click here for free trial login.

SAGE Journals
SAGE Research Methods
SAGE Stats
CQ Press Library
Back to Top