- Subject index
Written by a team of veteran scholars and emerging talents, The SAGE Handbook of Film Studies maps the international traditions of the field, drawing out regional differences in the way that intellectual reflection on cinema and film has been transformed into a field of systematic inquiry. It reflects on the field's conceptual infrastructure, the dominant paradigms and debates, and evaluates their continuing salience. Finally, it looks optimistically to the future of film, the institution of cinema, and the discipline of Film Studies at a time when the very existence of film is being called into question by new technological, industrial, and aesthetic developments.
Chapter 27: Where Sound is: Locating the Absent Aural in Film Theory
Where Sound is: Locating the Absent Aural in Film Theory
Was there ever such a thing as silence? Surely, only the mind could project such an existence – a mind with shrunken ears and swollen brain, cloistered in the concert hall, the opera house, the theatre, the library. That brainiac never experienced the rowdy din of consumption that defined the ‘sound of the crowd excited by the multi-media explosiveness that follows the morphological slip across two centuries from slide lantern lectures to carnival phantasmagoria to silent movies with live accompaniment of all kinds to that thing people finally call ‘the cinema’. No, there was never silence; there has only been the deluded desire for silence. That ...