In this chapter, I reflect on my personal experience of working towards a ‘mixed-mode’ PhD in Electronic Arts, which has been completed in 2006 and was funded by an AHRC doctoral award. In particular, I will look at the relationships between the theoretical and reflective dimension of my thesis and the making, exhibition and documentation of my artworks. This will include a discussion of issues arising from the combination of physical and digital outputs used for the formal delivery of my thesis. Interestingly, this area of inquiry also lies at the very heart of my PhD research, both written and practical, which is an exploration of relationships and transitions between the physical world and the digital world of computers. Hence, within the ...