Having worked in the Department of Performance Studies, Tisch School of the Arts, New York University, from 1985 to 2002, Peggy Phelan is now the Ann O'Day Maples Chair in the Arts at Stanford University. She is the author of Unmarked: The Politics of Performance (1993), Mourning Sex: Performing Public Memories (1997) Twentieth Century Performance (Routledge, 2008), and the forthcoming Death Rehearsals: The Performances of Andy Warhol and Ronald Reagan, as well as survey essays for the art catalogues Art and Feminism (2001) and Pipilotti Rist (2001). She is co-editor with the late Lynda Hart of Acting Out: Feminist Performances (1993) and with Jill Lane of The Ends of Performance ...
Performance, Live Culture and Things of the Heart1
Performance, live culture and things of the heart1