• Summary
  • Contents
  • Subject index

Popular Music, Gender, and Postmodernism begins by tracing the migration of cynical academic ideas about postmodernism into music journalism. The result has been a widespread fatalism over the presumed ability of the music industry to absorb any expression of defiance in hiphop and rock. Commercial “incorporation” supposedly makes a charade of musical outrage, somehow disconnecting anger in music from any meaning or significance. Author Neil Nehring documents the considerable damage done by the journalistic employment of this tenet of postmodern theory, particularly in the case of the late Kurt Cobain of Nirvana, whose emotional intensity was repeatedly belittled for its purported incoherence. As a rebuttal to academic postmodernism and its exploitation by the mass media, Popular Music, Gender, and Postmodernism emphasizes that emotion and reason ...

The Riot Grrrls and Carnival
The riot grrrls and carnival

Poetry happens to be wherever the stupidly mocking smile of duck-faced man is not.

—Lautréamont

I want to start with some good reasons why young women have seized on punk rock in the 1990s. I know I have to wear a drool cup for my bile: We live in a ...

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