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Jason Toynbee

In: Cultural Expression, Creativity and Innovation

Chapter 7: Creativity and Intellectual Property Rights

Edited by: Helmut Anheier & Yudhishthir Raj Isar

DOI: http://dx.doi.org/10.4135/9781446251010.n8

Subject: Globalization, Sociology of Culture, Media Economics

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Toynbee, J. (2010). Creativity and intellectual property rights. In H. Anheier & Y. R. Isar (Eds.), The Cultures and Globalization Series 3: Cultural expression, creativity and innovation (pp. 86-98). London: SAGE Publications Ltd doi: 10.4135/9781446251010.n8

Toynbee, Jason. "Creativity and Intellectual Property Rights." In Cultural Expression, Creativity and Innovation, edited by Helmut Anheier and Yudhishthir R. Isar, 86-98, The Cultures and Globalization Series 3. London: SAGE Publications Ltd, 2010. doi: 10.4135/9781446251010.n8.

Toynbee, J 2010, 'Creativity and intellectual property rights', in Anheier, H & Isar, YR (eds), Cultural expression, creativity and innovation, The Cultures and Globalization Series 3, SAGE Publications Ltd, London, pp. 86-98, viewed 6 April 2020, doi: 10.4135/9781446251010.n8.

Toynbee, Jason. "Creativity and Intellectual Property Rights." Cultural Expression, Creativity and Innovation. Eds. Helmut Anheier and Yudhishthir R. Isar. London: SAGE Publications Ltd, 2010. 86-98. SAGE Knowledge. Web. The Cultures and Globalization Series 3. 6 Apr. 2020, doi: 10.4135/9781446251010.n8.

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Creativity and Intellectual Property Rights
Creativity and intellectual property rights
JasonToynbee

Copyright, the main form of intellectual property in cultural production, has played a key part in globalization. Although it is presented as an unalloyed good by its powerful defenders in corporations and states, this chapter argues to the contrary that copyright is of dubious value. In fact the expansive copyright regime which characterizes the present era threatens vulnerable cultures – both traditional and hybrid – around the world. The argument is made by refuting the conventional rationales for copyright, both economic and aesthetic. Supporting evidence is then drawn from the cases of music making in Jamaica, and the Bollywood film industry in India. Each, in a perhaps surprising parallel, suggests that creative cultures can flourish in, ...

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