• Summary
  • Contents
  • Subject index

This book represents a distinctive approach to cultural analysis, using multi-dimensional methods for addressing issues of public interest. The approach, which deploys Jim McGuigan's original concept of the cultural public sphere, is demonstrated in several case studies, including:

  • Celebrity death Festivals and urban regeneration
  • Race and multicultural controversy
  • Popular television (for instance, Little Britain and The Apprentice)
  • Social significance of the all-purpose mobile communication device in a privatized and individualized way of life
  • Riskiness and uncertainty at both the levels of environmental politics and working life in the creative and media industries

These various case studies are analyzed with regard to the dialectic of production and consumption in cultural circulation and situated in relation to major issues of social change. The book stresses the impact of neoliberalism throughout the world since the 1970s and the formation of a cool-capitalist culture that has colonized everyday life around much of the globe. In effect, this is a radical intervention in the research agendas and conceptual development of cultural policy studies, cultural sociology, and, more generally, in the broad field known as cultural studies. It offers challenging theoretical arguments that are substantiated with concrete evidence of cultural and social processes.

Identity and the Crisis of Community
Identity and the crisis of community

Britain, Britain, Britain, land of technological achievement. We have had running water for over ten years, an underground tunnel that links us to Peru and we invented the cat. None of these innovations would have been possible were it not for the people of Britain. And, it is those people we do look at today. Let's do it.

Prologue to the first BBC Television episode of Little Britain, 2003, BBC DVD 2005
Introduction – Little Britain

Little Britain – which is very much an English product – was one of the most successful series on British television in the mid-2000s, as measured by critical acclaim, industry awards and viewing figures of around 11 million at the height ...

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