Creative Teaching in Primary Science
Creative teaching has the potential to inspire deep learning, using inventive activities and stimulating contexts that can capture the imagination of children. Thisbook enables you to adopt a creative approach to the methods and content of your primary science teaching practice and confidently develop as a science educator. Exploring how creative approaches can be appropriately developed and embedded, key aspects of science teaching are discussed, including: • planning for teaching and learning • assessing primary science • cross-curricular approaches • the intelligent application of technology • sustainability education • outdoor learning Coverage is supported by illustrative examples, encouraging you to look at your own teaching practice, your local community and environment, your own interests and those of your children to deepen your understanding of what constitutes good science teaching in primary ...
- Front Matter
- Subject Index
Part 1: None
- Chapter 1: Introducing creative science
- Chapter 2: Misconceptions and enabling conceptual change in science
- Chapter 3: Pedagogical approaches and the teaching of science
- Chapter 4: The importance of teacher knowledge in science
- Chapter 5: Planning and assessing creative approaches in science
- Chapter 6: Working scientifically
- Chapter 7: Getting creative with technology in science
Part 2: None
- Chapter 8: Art and design and creative science
- Chapter 9: Creative science through drama and storytelling
- Chapter 10: Sustainability and primary science
- Chapter 11: Teaching science outside the classroom
- Chapter 12: The science of health and wellbeing
- Chapter 13: Teaching controversial issues in science
- Chapter 14: A science of equality
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© Roger Cutting and Orla Kelly 2015
First published 2015
Apart from any fair dealing for the purposes of research or private study, or criticism or review, as permitted under the Copyright, Designs and Patents Act, 1988, this publication may be reproduced, stored or transmitted in any form, or by any means, only with the prior permission in writing of the publishers, or in the case of reprographic reproduction, in accordance with the terms of licences issued by the Copyright Licensing Agency. Enquiries concerning reproduction outside those terms should be sent to the publishers.
Library of Congress Control Number: 2014935449
British Library Cataloguing in Publication data
A catalogue record for this book is available from the British Library
ISBN 978–1–4462–5543–8 (pbk)
Editor: James Clark
Assistant editor: Rachael Plant
Production editor: Imogen Roome
Copyeditor: Bryan Campbell
Proofreader: Rosemary Morlin
Indexer: Adam Pozner
Marketing manager: Dilhara Attygalle
Cover design: Naomi Robinson
Typeset by: C&M Digitals (P) Ltd, Chennai, India
Printed in India at Replika Press Pvt Ltd
List Of Figures[Page vii]
- 2.1 Frequency of the words ‘creative, creativity or creatively’ across the 2014 National Curriculum for England (adapted from Department for Education, 2013) 16
- 3.1 The stages of scientific enquiry (from Ward et al., 2008, p. 60) 32
- 3.2 The Five Dimensions of Practice (Bartholomew et al., 2004, p. 664) which impact on the success of teaching about the nature of science 32
- 3.3 Case Example links to the 2014 National Curriculum for England (Department for Education, 2013) 37
- 4.1 Overview of content areas in the 2014 National Curriculum for England 47
- 4.2 Progression in grouping materials based on their properties from Year 1 to Year 5 (adapted from Department for Education, 2013a) 49
- 4.3 Overview of progression in working scientifically 50
- 8.1 Scientific enquiry process – deductive and inductive reasoning with observation as a key role in both processes 93
- 9.1 Mapping of the Finding Nemo drama activities against the 2014 Pimary Science Curriculum for England 109
List Of Tables
About The Authors
It is always something of a cliché to say that many people have been involved in the production of a book, but here it is genuinely the case.
We would therefore like to thank in particular James Clark, Rachael Plant, Imogen Roome and the team at SAGE for all their support and understanding. Gemma Howard at Plymouth University for her help on outdoor education. Oliver Quinlan at Nesta for invaluable help, guidance and ideas with the chapter on digital technologies. Thank you to all our colleagues at Plymouth University (past and present) for their support and encouragement, not just for this book, but for also understanding the chaos that at times we may have caused.
Finally, we’d like to thank our students (again, past and present) for allowing us to ‘experiment’ with ideas and approaches that hopefully you’ve taken with you into the teaching profession.
SAGE would like to thank the following reviewers whose comments have helped shape the original proposal:
- Adenike Akinbode, University of Hertfordshire
- Edwyn Anderton, Sheffield Hallam University
- Claire Garven, University of the West of England
- Jane Gibson, University of St Mark & St John (Plymouth)
- Nicola Kitchen, University of Cumbria
Introduction[Page xii]Why we changed our approach to teaching science
A few years ago we presented a paper at a teaching and learning conference at Plymouth University called ‘Hating the Smell of Science’. The title was based on an overheard conversation between two, presumably non-science students who happened to be passing by the laboratories, when one said to the other ‘Urrgh, I hate the smell of science’. Funnily enough we knew what they meant.
For a couple of years we had shared the teaching of science modules on an initial teacher education degree for those wishing to become primary school teachers. We had taught them pretty well and the students seemed to enjoy them, but when we talked about, or reviewed our teaching it always seemed to be with a certain sense of dissatisfaction. For us science had always been exciting because it was about the unknown. It was about trying to find things out, whether the answer to a question, or the solution to a problem, and that science was essentially creative. It was that sense of excitement and wonder that had brought us into science in the first place, but somewhere along the line, we had lost our way in terms of communicating that sense of excitement. For our students with non-science backgrounds in particular, it was becoming anything but. They were creative in all sorts of wonderful ways and through all sorts of interesting media, but we were effectively asking them to leave all that creativity at the door when they entered the science classes.
As a result we decided to quite radically change our approach to teaching science. We introduced problem-based learning, the use of film making as a means of assessment, we got students rapping about science, we put science into all sorts of issues and contexts, not so much socio-scientific concerns, but more immediate social and emotional issues, such as compassion and love. We used drama, story-telling, role play and art to help explain key concepts, not only in terms of[Page xiii]processes, but also to help explore the nature and practice of science. We even had delegates at a number of international conferences singing!
Along the way some approaches and ideas were really successful and others were nothing less than spectacular disasters! You can read about the latter in Cutting and Kelly (2015). However, when we reviewed our teaching, we wanted to be creative and innovative in both contexts and approaches, but the trick was to do so and yet meticulously avoid compromising the authentic nature of science though inadvertently promoting any kind of pseudo-science.
This book represents something of a review of our time teaching together over the last few years. Part I considers aspects related to pedagogy for creative teaching and learning in science, including, among other things, misconceptions, scientific enquiry, the use of technology and even thinking creatively about assessment. Part II then considers what we call creative approaches and creative contexts. Creative approaches looks specifically at integrated approaches that can be employed to help children better understand science by the use of drama, art and the outdoor classroom in a wide range of imaginative ways. Creative contexts concern specific topic areas that may be addressed in science classes. Here we consider ideas for the inclusion of science relating to issues such as sustainability, well-being, social equality and the use of controversial issues to stimulate children’s understanding of science and its wider applications. Each chapter asks you to reflect on various aspects through ‘Time for reflection’ sections, allowing you to consider your attitude to, and experiences of, science both as a student and teacher. It will also enable you to reflect on the nature of science and creativity among other things. Additionally, each chapter will provide opportunities to put some of the ideas raised into action through ‘Activity’ sections. These and the ‘Time for reflection’ sections will contribute to your professional development in both pedagogy and science.Why you may need to change
In 2013 the UK Government published the new National Curriculum for England. In the accompanying documents, the following key points are made:
It is the Government’s intention that the National Curriculum be slimmed down so that it properly reflects the body of essential knowledge which all children should learn and does not absorb the overwhelming majority of teaching time in schools. Individual schools should have greater freedom to construct their own programmes of study in subjects outside the National Curriculum and develop approaches to learning and study which complement it. Remit for Review of the National Curriculum in England (2012)
Less content and more time does appear to present teachers with a really intriguing prospect to develop something new. Of course, the temptation may be to use this extra time to merely concentrate on the ‘essential knowledge’ rather than[Page xiv]branching out and trying something different. For the first time in perhaps decades of curriculum constraint, teachers have the opportunity now to be really creative in both design and approach to teaching science. This book will provide you, not with resources, but hopefully with creative ideas for approaches and contexts that will help you develop not only your own science curriculum, but also your own teaching approaches to science.
When we changed our approach to teaching science, we would often worry out loud about what we were doing, whether the students were learning, how could we assess this? During one such angst-ridden discussion, a colleague said to us ‘In my experience the only things that are ever really worth doing in teaching always involve adrenalin!’ We have a chance now to accept the invitation to develop and construct our own programmes of study and although such challenges may appear daunting and intimidating and involve adrenalin, the opportunity to be really innovative and creative in teaching is why many of us came into the profession. We hope that this book will help you develop such imaginative and creative programmes and that you find the process, as we have done, genuinely rewarding.Reference2015) ‘We weren’t taught this way’. Overcoming problems with the transition to new forms of pedagogy in Science and Sustainability in Science Teacher Training, in Educating Science Teachers for Sustainability ASTE Science Education Series. New York: Springer, Inc.and (10.4135/9781473910195.n1